My experience with e-publishing

The past couple of days have been pretty cool. Since I put my short story on Smashwords, it’s been downloaded over 60 times. I find it unbearable not knowing how many are friends and family, and how many are strangers. So far I’ve had a review on Smashwords from Allie, and several have supported me by sharing my link on Facebook and writing short reviews to go along with it. Thank you all! In a few days it’ll go into Smashwords’ Premium Catalog, which means it will be distributed to online retailers. It’s been a fun experiment.

So the next step is to get it on Kindle Direct. I uploaded it yesterday, but it’s still under review so it’s not available yet. While I’ve put it on Smashwords for free, Amazon makes you charge a dollar minimum. I’ve got to figure out if I want to charge for the Smashwords version as well, but I don’t think I want to do that yet–I might have to charge and then give a coupon to make it free, because of Amazon’s terms of service.

Even if I don’t make a dime from online publishing, I’m glad I did it once. I’m now more secure in my knowledge of how publishing works, and the thrill of having work out there has erased most of my concerns about imperfection. And the thing is, I’ve found you can’t truly understand epublishing from just studying it or reading blogs—you have to dig in. I’m surprised at how not scary it is on this side of clicking “publish,” and while I thought I would feel more pressure afterwards, it’s actually been quite freeing.

I have a couple of books that couldn’t find homes with traditional big publishers (and a couple of small presses), so I’d been considering going with a small-but-successful online publisher like Damnation Books and others.(You might remember I edited for DB’s sister company, Eternal Press.) After all, they have a customer base all ready, free editing and cover design (free for me), and they pay for the ISBN. On the other side, self-publishing lets me keep a bigger chunk of the profits, and while I can’t afford to buy ISBNs right now, I could probably trade editing services with some trusted friends. And after making the cover for Mon Petit Ami myself, I think I might enjoy making others.

But I don’t have to decide right now. I’m not very good at taking incremental steps—a stumbling block to my writing career up to this point—so it’s time I learned. I’m slowly making a plan.

So what’s your experience with self-publishing?

Taking the plunge

TM cover 2 flat
An OCD housewife falls in love with her son’s toy ninja–but she does find it odd that the toy speaks French…

Or possibly just dipping a toe. I took one of my old, beloved stories and published it on Smashwords. For those who’ve never heard of it, Smashwords is a website that automates the self-epublishing process. You upload your story, and their machine converts your file into all the popular e-reading formats. Very easy.

I have lots of friends who’ve published with Smashwords, but I haven’t been interested in doing it. My writing career was up in the air, so far that I didn’t know where it would come down, or even if it would. I needed things to settle–in particular, my feelings about writing. I’ve been hiding from the world while I sort things out.

Then a lot of things happened all at once. I had a birthday (41). We ran out of money and had to eat beans and hamburger stew for a week, which put me in action mode real quick as I started looking for a job. Putting myself out there flipped the switch, and suddenly I’m ready to start blogging again, Facebooking with purpose, discussing writing and publishing.

Now as this switch was being flipped, my friend Allie had a pretty awesome experience. She’s been self-epublishing on Smashwords and Kindle, and I don’t know where else, and she’s much more prolific than I, so she has lots of titles available. One day, Amazon started offering one of her titles for free and downloads went through the roof–like, 10,000 in a couple of days. She didn’t get a penny for these downloads, but thousands of people were reading her work.

It was eye-opening for me, watching this unfold. I had thought of epublishing as another career direction, with all that entailed: marketing and money and business and blah, blah, blah. I knew I didn’t want to do all that stuff myself. Allie’s exhilarating experience reminded me that writing is also fun, with an element of chance. The wheel of fortune can’t turn if you’ve stuck a stick in the spokes. The past couple of weeks has unstuck the wheel.

So. The story’s not perfect, but I’ve been waiting for perfection to grace me and I can’t wait any longer. The story’s good; some have told me it’s funny and/or creepy. It’s also free, so you don’t have to have a Smashwords account to read it. If you do read it, I’d appreciate a short and honest review. I promise I’ll still love ya.

Cheers!

What a relief

Well. So here I am again. These long absences of mine stem from having nothing good to say, nor any pressing news to share. If I have one or the other it seems worth it to post, but otherwise I won’t bother.

Today I have something good to say, and the news, while not pressing, is at least news. I had a rare phone conversation with Sara, my agent, in which she said she loved my newest book, BVA. That’s the news, that somebody loved my work. Lame, I know. But she’s never said how she feels about my work one way or the other, so although the assumption is that of course she likes it or she wouldn’t have represented me, it’s nice to hear, out loud, that she kept sneaking away to read it, even though she was on vacation.

I wasn’t sure she’d like it because it’s so different from EG, the one that caught her eye in the first place. I was absolutely sure she’d tell me she couldn’t represent it, but of course that was just my writer’s neurosis kicking in. Or as Marta puts it, Melodramatic Mind.

So as soon as I correct all the typos she found, it’ll be going to the editors who’ve requested it. *sighs in relief*

Speaking of EG, I’ve thought about publishing it through a small e-publisher to gain some traction, if only in my mind. It’s basically done, because even if a publisher buys BVA, EG is so different it’s unlikely the same person would pick it up. Sara’s advice was to go for it, but not to sign any rights away. This eliminates any publishing company, small or not, because they will want to have a contract for 2–3 years or forever. If EG caught a big publisher’s interest while the electronic rights were tied up, they probably wouldn’t touch it no matter how much they loved it.

So that leaves self-epublishing, as Dane just did with his short story collection. I just don’t know if I want to work that hard.