I really enjoy overcoming the challenges of synopses, which is not to say I enjoy the writing of them, but at least I don’t hate it. I’m not stuck but I can’t help feeling there might be an easier way. I also can’t help feeling this is probably a dumb question.

See, in the WIP I have a flashback storyline weaving through the main narrative, providing insight and merging with the main plot at the end in an unusual way. Now I’m not sure how to insert it into the synopsis, because the subplot is not as much a subplot as parallel to the main plot. Absolutely integral to the main. My instinct is to insert only the details that relate to the main plot, and then they would go next to their relevant plot points, obviously. I’m getting to the point where it’s, “Well if I tell them THAT then I have to tell them THIS, but they can’t understand THIS without THE OTHER.”

I’ve never written a book with this structure. Has anyone out there had experience with synopsizing more than one timeline? And if so, would you like to share your experience?

Also, I would love it if someone fluent in Spanish would volunteer to be my language checker. It would be minimal work, as there are only scattered phrases, but I want every word to be authentic. My character is half Mexican, half Austin, TX white trash, lives with her white mother and Mexican grandmother, if that makes any difference.

I hope all this still makes sense tomorrow.